A STUDY OF FIGURATIVE LANGUAGES IN THE SONG LYRICS OF LANY’S A BEAUTIFUL BLUR
DOI:
https://doi.org/10.35842/jolali.v3i2.54Kata Kunci:
A Beautiful Blur, figurative language, meaning of figurative language, types of figurative languageAbstrak
Figurative language plays a crucial role in enhancing the depth and emotional resonance of song lyrics. This article focuses on LANY's album A Beautiful Blur, which is known for its rich use of figurative language to convey complex meanings and evoke feelings. Understanding how these linguistic devices function within the lyrics provides insight into the artistic intent behind the music and the themes explored in the album. The researcher used a qualitative method to analyze the types and meanings of figurative language in the song lyrics. A total of 115 figurative language were identified across 12 categories, including simile, metaphor, personification, metonymy, symbol, hyperbole, paradox, allusion, synecdoche, allegory, understatement, and irony. The data obtained from official sources such as Spotify, and the analysis draws on Perrine's classification of figurative language and Leech's types of meaning. The results revealed that hyperbole was the most frequently used type of figurative language, appearing 41 times, followed by personification (26 instances) and metaphor (11 instances). Additionally, the analysis identified two primary meanings: connotative meaning (111 instances) and socio-affective meaning (four instances). The prevalence of hyperbole and connotative meaning underscores LANY's use of figurative language to deliver powerful emotional expressions and social commentary. This article signifies how figurative language not only embellishes the lyrics but also engages listeners in deeper interpretations of the themes presented in the album.
Referensi
AllMusic. (2024). A Beautiful Blur. https://www.allmusic.com/album/abeautiful-blurmw0004066500#userReviews
Given, K. (2024). 10 Lany lyrics to help you pen that letter to your ex. https://umusic.co.nz/select/alternative/10-lany-lyrics-to-help-you-pen-that-letter-to-your-ex/
Heigham, J. (2009). Qualitative research in applied linguistics: A practical introduction. Basingstoke: Palgrave Macmillan.
Jones, L. (2023). The universal language of nice music: How melodies bridge cultures and hearts. Melody House Publishing.
Leech, G. (1981). Semantics: The study of meaning (2nd ed.). Penguin Books.
Leech, G. N., & Short, M. H. (2007). Style in fiction: A linguistic introduction to English fictional prose (2nd ed.). Pearson Education Limited.
Loh, J. (2013). Inquiry into issues of trustworthiness and quality in narrative studies: A perspective. The Qualitative Report, 18(33), 1-15.
Perrine, J. (1977). Sound and sense: An introduction to poetry. Harcourt Brace Jovanovich.
Simpson, P. (2004). Stylistics: A resource book for students. London: Routledge
Verdonk, P. (2002). Stylistics. Oxford: Oxford University Press
##submission.downloads##
Diterbitkan
Terbitan
Bagian
Lisensi
Hak Cipta (c) 2025 JOLALI: Journal of Language and Literature
Artikel ini berlisensi Creative Commons Attribution-NonCommercial 4.0 International License.
- Authors retain copyright and grant the JOLALI: Journal of Language and Literature right of first publication with the work simultaneously licensed under a CCreative Commons Attribution-NonCommercial 4.0 International License that allows others to share (copy and redistribute the material in any medium or format) and adapt (remix, transform, and build upon the material) the work for any purpose, even commercially with an acknowledgment of the work's authorship and initial publication in JOLALI: Journal of Language and Literature.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgment of its initial publication in JOLALI: Journal of Language and Literature.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).
